PHOTOGRAPHY AND HOME IN DIVIDED GERMANY

Refugees, GDR, Flight of the Family Holzapfel to the West © ullstein bild-Sakowitz.

Refugees, GDR, Flight of the Family Holzapfel to the West © ullstein bild-Sakowitz.

My current research project, Photography and Home in Divided Germany, is a comparative study of the effects of the Cold War and the Berlin Wall on photographic practice in Germany. This project investigates the conditions of cultural displacement by considering photographic accounts of exile and migration in Germany between 1961–1989. This comparative study analyses how photographic practices were subjected to and affected by GDR surveillance practices, and the ways in which the concept of ‘home’ was put under pressure by the mass-movement of GDR refugees, the migrant guest-worker program in the West, and historical legacies of the Second World War.

 

CONFERENCE PAPERS (selected)

 

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‘Roland Barthes and Lost Images’

Light Matters Symposium, UTS, Sydney, Aug 2019

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The Business of Photography & the Ministry for State Security in the GDR

Photographic History Research Centre conference, De Montfort University, Leicester, UK, June 2019.

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Photography, Flight and Exile in Cold War Germany

Passages of Exile Symposium, Center for Advanced Studies at the Ludwig Maximilian University, Munich, Dec 2016

Imperial War Museum, ESLDON BERNARD R (REVD.) HU 99609, HU 99582

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The Stasi Archive as Visual and Material History.’

Material Practices of Visual History, Photographic History Research Centre, De Montfort University, Leicester, 18-19 June 2018.

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Witnessing the Archive: The Stasi, Photography and Escape from the GDR

Photography.Ontology.Symposium, University of Sydney, 2-3 June, 2016. Arwed Messmer, using a print, call number BStU MfS HA IX Fo 2180 Bl. 0004.

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After 1989: Photography and the German Landscape

New Territories: Landscape Representation in Contemporary Photographic Practices, Humboldt University, Berlin, June 2017.

Image: Thomas Struth

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Damaged: Ruin and Decay in Walker Evans’ Photographs

Centre for Contemporary Photography. Walker Evans: Reading the Magazine Work, 7 October 2016.